Carolinéale typeface

“The emergence of early musical notations, which started from the eighth century onwards, ended a secular tradition of melodies’ learning based on word-of-mouth. The first musical notes written down on parchment (called neumes) will then evolve over the centuries to become our modern system of musical notation. Two carolingian scriptures particularly caught the attention of paleographers:

TypeCon 2016 Clock App

MuirMcNeil have designed a clock for TypeCon 2016 using 9 typefaces / 66 fonts from MuirMcNeil’s TwoPoint and TwoPlus type systems. In two precisely registered layers, fonts for time, date, and background panels are programmed to change randomly each minute. With layer colours reversing for am and pm, this results in a possible 8,712 overlay

ecal typefaces project

With this website initiated with Swiss Typefaces, ECAL/University of Art and Design Lausanne is probably the first university in the world to have launched an online type foundry, allowing direct access for anyone to a selection of typefaces, all designed by students. Fonts designed by students from the Bachelor Graphic Design and Master Art Direction

New features in Glyphs v2.4

What you’ll find in Glyphs v2.4: — Preliminary Support for Variable Fonts — Color Fonts — Interpolation — Path Editing — Image Improvements — Sidebar Filters — Better Compression for WOFFs — TrueType Zones — TrueType Instructor: Deltas, Shortcuts, and more — New Custom Parameters — Improved AppleScript support — UI Improvements and more …

Zeitung typeface

The Zeitung typeface was designed by Bas Jacobs, Sami Kortemäki and Akiem Helmling and released by Underware foundry in nov. 2016 It is available in Thin, Extralight, Light, Regular, Semibold, Bold, Extrabold Black plus Italics. underware.nl/fonts/zeitung/features/

Typodarium 2017

The new Typodarium 2017 with 365 fonts from 263 designers from 30 nations in 12 fresh colors. Editors: Lars Harmsen, Raban Ruddigkeit Art direction: Florian Hauer Publisher: Hermann Schmidt Mainz Publication: September 2016 Format: 8.5 x 12 cm Scope: 263 designers from 30 countries on 384 sheets Language: English Price: 19,80 Euro

Yearbook of Type II by Slanted

Type foundries: 29Letters, A is for…, AB Type Foundry, ADTypo, AinsiFont, Atelier télescopique, Atlas Font Foundry, Baldinger Vu-Huu, binnenland, Bold Monday, Brownfox, Cape Arcona Type Foundry, Carrois Type Design, die Typonauten, dutchfonts, FaceType, Fatype, Font Bureau, Fontfabric, fontfarm.de, FontFont, FontMesa, Fontsmith, FONTYOU, Gestalten, Great Lakes Lettering, HVD Fonts, Indian Type Foundry, International House of Fonts,

Akrobat free typeface by Fontfabric

“Akrobat is a modern sans serif font with condensed proportions. The typeface comes in 8 weights with a geometric aesthetics and slight neo-grotesque characteristic. It’s narrow proportions makes it perfect for headlines, logos, typographic compositions and short paragraphs of text. Akrobat contains more than 500 glyphs with a wide range of languages – extended Latin

Dala Prisma typeface

Dala Prisma is a development of the stencil typeface Dala Floda, replacing the solid forms with a series of stripes which vary in width, offering a wonderful optical effect. The family was conceived by Paul Barnes and drawn by Ben Kiel of Typefounding, using a purpose-built tool by the brilliant Frederik Berlaen, the creator of

Type Hybrid .Typography in Multilingual Design

Type Hybrid .Typography in Multilingual Design “Type Hybrid is a groundbreaking research into the specialist area. The book begins with a collection of 120 logotypes that feature synchronised multilingual details within a compact design. The showcase then expands to probe into 100 visual communication solutions. From corporate branding to event communications and packaging designs, each

Armenian Alphabet Monument

The Armenian Alphabet Monument is located in the village of Artashavan, at the east side bottom of Mt. Aragats. It was erected in 2005 to the 1600 anniversary of creation of the Armenian alphabet by the design of the famous Armenian architect Jim Torosyan. The monument is an interesting demonstration of the stone carvings of

Alan Kitching’s A-Z of Letterpress

“A must for letterpress enthusiasts and graphic designers, this is a covetable showcase of Alan Kitching’s fount collection. Each page has been carefully created by Alan Kitching in collaboration with Angus Hyland, making this book a work of typographic art in its own right. Presented as an A to Z, the individual letters are divided