New identity for Bread & Butter, Berlin, encompassing the theme ‘NOW’. An emoji-style language of iconic and ironic graphics was developed integrating elements of fashion, music, food and the city of Berlin itself into the branding. Appearing in various combinations from campaign imagery to website, signage and merchandise, the icons bring an essential liveliness and
Martin Whatson (b. 1984) is a Norwegian born and based stencil artist. While studying Art and Graphic design at Westerdals School of Communication, Oslo, he discovered stencils and the urban art scene. After following graffiti and its development, he started his own stencil production 10 years ago in the winter of 2004. excerpt from http://martinwhatson.com
Steel Tumbler Alarm Clock was designed by Norm Architects and manufactured by Menu, The Tumbler is iconic in design and functionality. When the alarm goes off waking you – you simply take the clock and turn it upside down to stop the alarm. The Tumbler Alarm Clock comes in Brushed Brass Carbon with Grey face
This book object is inspired by its content, a collection of highly corrosive items, to generate a first impression full of impact. For this project we started publishing design the use of materials and production systems low cost enabling the author full control of production through self-publishing and print-on-demand. Client : Enrique Rubio Year :
Hermès Concept Art Direction UI/UX Web Design by Thomas Le Corre
Type foundries: 29Letters, A is for…, AB Type Foundry, ADTypo, AinsiFont, Atelier télescopique, Atlas Font Foundry, Baldinger Vu-Huu, binnenland, Bold Monday, Brownfox, Cape Arcona Type Foundry, Carrois Type Design, die Typonauten, dutchfonts, FaceType, Fatype, Font Bureau, Fontfabric, fontfarm.de, FontFont, FontMesa, Fontsmith, FONTYOU, Gestalten, Great Lakes Lettering, HVD Fonts, Indian Type Foundry, International House of Fonts,
As part of the Graphisme en France 2014 program, the Centre national des arts plastiques (CNAP, National Center of Visual Arts) has commissioned a new typeface to be freely downloadable by the public at large. The Infini typeface conceived by _ Sandrine Nugue is a decidedly contemporary design. Infini also admits of a creative and
➔ Tarsila Schubert (1987) Born in Brazil. Visual artist, she develops her paintings inspired by music, nature, spirituality, science, philosophy and popular culture. Paintings, drawings, illustrations, animations and murals are the ways that the artist uses to express her creativity.
MegaFaces Pavilion is a structure incorporating the world’s first large scale actuated LED screen / kinetic facade conceived by Asif Khan and engineered by iart at the Sochi 2014 Winter Olympics for MegaFon. The project was recently awarded the 2014 Cannes Lion “Grand Prix” for Innovation, the Golden Award of Montreaux for spatial communication, and
“Akrobat is a modern sans serif font with condensed proportions. The typeface comes in 8 weights with a geometric aesthetics and slight neo-grotesque characteristic. It’s narrow proportions makes it perfect for headlines, logos, typographic compositions and short paragraphs of text. Akrobat contains more than 500 glyphs with a wide range of languages – extended Latin
Place Spector on a typeface you like and see it change to exact typeface on screen. It’s a handheld tool that captures typefaces and colors from printed materials and transfers them straight to InDesign. Now as a functional prototype designed by _ Fiona O’Leary. Good luck!
I’m not gonna show his work cos it is pointless, anyone know his work or at least should be. Till now I’ve no read his quotes but since I found some, I said to myself that would be fine to design some posters for _ dsgn.news. So, here they are.
“Whilst developing a typographic style for a US client, this route was relegated from the process. The freedom of the paths allowed for experimentation across a variety of graphic styles. With Marbles now the designated name for the project it would be remiss not to experiment in C4D to create the marble style for real.
Dala Prisma is a development of the stencil typeface Dala Floda, replacing the solid forms with a series of stripes which vary in width, offering a wonderful optical effect. The family was conceived by Paul Barnes and drawn by Ben Kiel of Typefounding, using a purpose-built tool by the brilliant Frederik Berlaen, the creator of
Type Hybrid .Typography in Multilingual Design “Type Hybrid is a groundbreaking research into the specialist area. The book begins with a collection of 120 logotypes that feature synchronised multilingual details within a compact design. The showcase then expands to probe into 100 visual communication solutions. From corporate branding to event communications and packaging designs, each
“Bely typeface was designed by Roxane Gataud during the post-graduation “Typography & Language” at ESAD Amiens in 2014. Bely is a type family which is perfectly suited to text setting and includes a roman and an italic body type, a Cyrillic extension, a bold and a titling version. The roman is a radical text type
Ooh-la-la, finally we have a redesigned Google Fonts website. Clean, nice and functional, in one word — great!
“The city was photographed with a street-view camera and programmed so visitors to the website could virtually walk around in it. Lots of quotes about the housing situation was collected from real people on social media and presented in the city. Visitors could make their voice heard by sharing their point of view and together
Raymond Samuel Tomlinson (April 23, 1941 – March 5, 2016) was a pioneering American computer programmer who implemented the first email program on the ARPANET system, the precursor to the Internet, in 1971. It was the first system able to send mail between users on different hosts connected to ARPANET. Previously, mail could be sent
On the occasion of the release of the “ECAL Graphic Design” book published by JRP|Ringier, ECAL/University of Art & Design Lausanne presents from 4th March to 8th April at the Gallery l’elac an exhibition of projects realised by students of the Bachelor Graphic Design and the Master Art Direction.
The Armenian Alphabet Monument is located in the village of Artashavan, at the east side bottom of Mt. Aragats. It was erected in 2005 to the 1600 anniversary of creation of the Armenian alphabet by the design of the famous Armenian architect Jim Torosyan. The monument is an interesting demonstration of the stone carvings of
He is cuckoo about letters, he loves them, so far is certain. He is also one of those fellows who can read a chunky novel in a couple of hours, but that’s a different story. Discover more about his works Job Wouters Letman or buy his book.
György Péter: Múzeum, a tanuló-ház book for Museum of Fine Arts Budapest. This is the first volume of a museum theory book series. In each book we present different young hungarian type designers. Designer: Viktor Suszter Colors: Black, Pantone Cool Grey 8U, Pantone 805 U Paper: Munken Polar Fonts: Chronicle – Hoefler and Freere Jones,
How do you say so beautiful? ISBN: 978-3-945772-02-7 /80 pages /hardcover Publisher: Gudberg Nerger /Illustrator: Veronika Kieneke, a freelance illustrator and designer based in Hamburg.
Visual identity for the city of Porto designed by White Studio (based in Porto) Client: Câmara Municipal do Porto. Art Direction: Eduardo Aires. Design project: Ana Simões, Raquel Rei. Designers: Ana Simões, Raquel Rei, Lucille Queriaud, Joana Mendes, Maria Sousa, Dário Cannatà. Motion: Tiago Campeã Photography: Alexandre Delmar Year: 2014
Identity of The Norwegian Academy of Music well done by Neue (a cross-disciplinary design studio based in Oslo, Norway.
Rubio & del Amo is a design studio based in Murcia, Spain specialised in editorial design, brand identity and packaging.
Marios Georntamilis is a designer currently working at Beetroot (a great design studio based in Thessaloniki – Greece) who nicely designed the visual identity of 12th Book Fair of Thessaloniki.
Lotta was designed by Ichiro Iwasaki for iida mobile in 2009. Still great today. “Born in Tokyo in 1965, from 1986 to 1991, Ichiro Iwasaki worked for Sony Design Center. In 1991 moved to Italy and started design activities in Milan. Established Iwasaki Design Studio in Tokyo in 1995. Discover more projects of this studio.
Each time i’m very pleased to read this magazine. Find out more buy more editions or watch some additional interviews.
Well done identity system designed by For the People studio.
The main logo is typeset in one of seven custom typefaces designed by Mathieu Reguer.
Identity for Tallinn Music Week 2015 designed by Estonian design studio Aku (Illustrator: Ryan Chapman)
New Typeface for Scottish Football Association made by D8 agency
Great brand development made by Mark Bloom (MashCreative).
Reprint Karel Martens Publisher Roma 84p, 17 x 24 cm, English €25.00 /shop
“Let’s Build a Smarter Planet” visual language designed by ➔ Office (2010?!)
Typeface /Salvaje Designer /Cristian Varga ➔ Studio Typozon
“Two photographers shooting at the same time over 12 hours in two different places in the world. They have to select one shot every 30 minutes, hopefully nice … Very nice navigation and transition /simple & smooth ➔ jetlag.photos
What’s possible if you put together “deep learning” with some sponsorship /nice idea, nice execution. Website development by ➔ superherocheesecake.
➔ Find out more
➔ Poignée de main virile /creative studio graphic & digital based in Nantes.
Studio Rotate based in London
— Creative studio based in Toronto. Inspired by our youth, influenced by our city. kidstudio.co
“Tobias Rehberger. Home and Away and Outside” was an exhibition in three parts by Tobias Rehberger, one of the most influential German artists of his generation at Schirn Kunsthalle Frankfurt. (source: domusweb.it)
“Inspired by the Japanese Shinto Kumi-ki puzzles, these wooden sculptures are a non-traditional take on the toy robot by joining ancient Japanese traditions with contemporary toy culture.” — Cubebots by David Weeks Studio
“A must for letterpress enthusiasts and graphic designers, this is a covetable showcase of Alan Kitching’s fount collection. Each page has been carefully created by Alan Kitching in collaboration with Angus Hyland, making this book a work of typographic art in its own right. Presented as an A to Z, the individual letters are divided
Overlooked is Marina Willer’s first Pentagram paper and is a celebration of humble industrial design. A booklet of neon coloured rubbings which celebrate one of London’s most enduring examples of industrial design, street covers, a celebration of humble industrial design. (source: pentagram.com)
Designer Robin Auer Paper Inner pages: 120 g/m² Color Copy superwhite matt Endpapers: 300 g/m² Photo Paper Cover: 3.5mm grey board Typeface Circular std Frustro Maison New Mono (source: ➔ robinauer.de)
Who is this guy?! Find out more ➔ Thierry Brunfaut